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This picture is thus described in the
Royal Academy Catalogue for 1820: “Rome from the Vatican—Raffaelle,
accompanied by La
Fornarina, preparing his pictures for the
decoration of the Loggia;” and the Official Catalogue of the Sational
Gallery describes the scene thus: “Immediately in front is the Piazza of
St. Peter’s, beyond which are seen the castle and bridge of St. Angelo,
with the greater part of modern Rome and in the extreme distance the
Apennines, the higher summits being covered with snow.” This appears to
us to be one of the least successful of Turner’s pictures; the opening
through which the view of Rome is seen is very awkwardly managed. and
the large building just beyond has a singularly ungraceful effect:
the way in which the centre is burdened
with ill-arranged articles, and the un graceful attitude of Raffaelle,
gives one rather the idea of an auctioneer arranging r 1ots for a sale
than an artist preparing his pictures. The corridor on the right is,
perhaps, the best part of the picture; but it is singularly out of
keeping with the rest of it. Altogether the picture is not in any way
worthy of the artist. |